Submissions from 2025
Encanto’s ‘Colombian’ Soundtrack: A Diffuse Charm Unveiled Through Analysis, Research Paper, Manuela Wanumen Jiménez
Looks Like Gibberish to Me: An Analysis of Dyslexia, its Musical Counterpart and the Education System, Research Paper, Chase Hogan
The Aesthetic Revolution in 20th-Century Classical Music and Its Perceptual Effects on Listeners: A Cognitive-Historical Perspective, Research Paper, Derek Lund
Submissions from 2023
Precursor of Paganini: The Solo Violin Caprices of Pietro Antonio Locatelli, Research Paper, Amelia Dixon
Submissions from 2021
Cryptocurrency as a Positive Force of Change in the Classical Music Industry, Research Paper, Ava Figliuzzi
Beethoven's Humor in Piano Sonata 16, Op. 31 no. 1, Video, Janna Peña
“A Local! A Monster!”: Harmful Tropes of Indigeneity in Thomas Adès’s The Tempest, Research Paper, Rosie Rogers
Submissions from 2020
The Pianist versus the Smart Piano, Research Paper, Janna Peña
Submissions from 2019
The Aulos and Tibia: Variation Across the Ancient Mediterranean’s Principal Woodwind, Course Assignment, Gerhardt W. Arosemena-Ott
