Submissions from 2025
Encanto’s ‘Colombian’ Soundtrack: A Diffuse Charm Unveiled Through Analysis, Research Paper, Manuela Wanumen Jiménez.
Looks Like Gibberish to Me: An Analysis of Dyslexia, its Musical Counterpart and the Education System, Research Paper, Chase Hogan.
The Aesthetic Revolution in 20th-Century Classical Music and Its Perceptual Effects on Listeners: A Cognitive-Historical Perspective, Research Paper, Derek Lund.
Submissions from 2023
Precursor of Paganini: The Solo Violin Caprices of Pietro Antonio Locatelli, Research Paper, Amelia Dixon.
Submissions from 2021
Cryptocurrency as a Positive Force of Change in the Classical Music Industry, Research Paper, Ava Figliuzzi.
Beethoven's Humor in Piano Sonata 16, Op. 31 no. 1, Video, Janna Peña.
“A Local! A Monster!”: Harmful Tropes of Indigeneity in Thomas Adès’s The Tempest, Research Paper, Rosie Rogers.
Submissions from 2020
The Pianist versus the Smart Piano, Research Paper, Janna Peña.
Submissions from 2019
The Aulos and Tibia: Variation Across the Ancient Mediterranean’s Principal Woodwind, Course Assignment, Gerhardt W. Arosemena-Ott
