Submissions from 2026
Learning the Notes: Developing Absolute Pitch, Research Paper, Winner, Emma Joyce.
Moving On Stage, Moving the Audience: The Overlooked Impacts of Body Language on Performance Reception of Classical Music, Research Paper, Julia Jacobsen.
Reassessing Additive Diversity Measures: Dawson's Negro Folk Symphony in a Brass Audition Context, Research Paper, Winner, Daniel Combs Jr.
Submissions from 2025
Encanto’s ‘Colombian’ Soundtrack: A Diffuse Charm Unveiled Through Analysis, Research Paper, Manuela Wanumen Jiménez.
Looks Like Gibberish to Me: An Analysis of Dyslexia, its Musical Counterpart and the Education System, Research Paper, Chase Hogan.
The Aesthetic Revolution in 20th-Century Classical Music and Its Perceptual Effects on Listeners: A Cognitive-Historical Perspective, Research Paper, Winner, Derek Lund.
Submissions from 2023
Precursor of Paganini: The Solo Violin Caprices of Pietro Antonio Locatelli, Research Paper, Winner - Graduate, Amelia Dixon.
Submissions from 2021
Cryptocurrency as a Positive Force of Change in the Classical Music Industry, Research Paper, Ava Figliuzzi.
Beethoven's Humor in Piano Sonata 16, Op. 31 no. 1, Video, Winner - Undergraduate, Janna Peña.
“A Local! A Monster!”: Harmful Tropes of Indigeneity in Thomas Adès’s The Tempest, Research Paper, Winner - Graduate, Rosie Rogers.
Submissions from 2020
The Pianist versus the Smart Piano, Research Paper, Winner - Undergraduate, Janna Peña.
Submissions from 2019
The Aulos and Tibia: Variation Across the Ancient Mediterranean’s Principal Woodwind, Course Assignment, Gerhardt W. Arosemena-Ott
